The history of the primary sources english literature essay

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The secondary sources: Abrams, Meyer Howard. English Romantic Poets. Modern Essays in Criticism. 2d ed. Oxford: Oxford University Press, 1975. Baker, John Ross. ” Poetry and Language in Shelley’s ” Defence of Poetry”. The Journal of Aesthetics and Art Criticism, Vol. 39, No. 4 (Summer, 1981), pp. 437-449Barton, Anne. ” Byron and Shakespeare”. The Cambridge Companion to Byron. Ed. Drummond Bone. Cambridge: Cambridge University Press, 2004. Bate, Jonathan. ” Shakespeare’s tragedies as working scripts”. Critical Survey. Vol. 3, No. 2 (1991), pp. 118-127Bate, Jonathan. Shakespeare and the English Romantic Imagination. Oxford: Clarendon Press, 1989. Bates, Ernest Sutherland. A Study of Shelley’s Drama ” The Cenci”. New York : Columbia University Press, 1908Beaudry, Harry R. The English Theatre and John Keats. Vol. 13: Poetic Drama and Poetic Theory. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1973. Bentley, G. E., Jr. ” Byron, Shelley, Wordsworth, Blake, and ” The Seaman’s Recorder”. Studies in Romanticism, Vol. 9, No. 1 (Winter, 1970), pp. 21-36Blank, G. Kim. ” Hamlet, Shelley, and the Air-Eating Chameleon”. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Vol. 2, No. 2, 1986, pp. 48-50Blank, G. Kim. The New Shelley: Later Twentieth-Century Views. London: Macmillan, 1991. Charlton, Henry Buckley. Shakespearian Tragedy. Cambridge : The University Press, 1952. Chayes, Irene H. ” Rhetoric as Drama: An Approach to the Romantic Ode”. PMLA, Vol. 79, No. 1 (Mar., 1964), pp. 67-79Chernaik, Judith. The Lyrics of Shelley. Cleveland & London: The Press of Case Western Reserve University, 1972. Clark, David Lee ” Shelley and Shakespeare”. PMLA, Vol. 54, No. 1 (Mar., 1939), pp. 261-287Clemen, Wolfgang. The Development Of Shakespeare’s Imagery. London: Routledge, 1977. Cohen, Murray. The Poetry of Percy Bysshe Shelley. New York: Monarch Press, 1965. Coleridge, Samuel Taylor. Coleridge’s Criticism of Shakespeare. A Selection. Ed. R. A. Foakes. London: Continuum International Publishing Group, 2001. Collins, Ben L. ” The Stanzaic Pattern of Shelley’s ” Ode to the West Wind”. Keats-Shelley Journal, Vol. 19 (1970), pp. 7-8Cowling, George. ” Shakespearean Comedy”. Shelley and Other Essays. Melbourne: Melbourne University Press, 1936, pp. 109-130. Cox, Jeffrey N. ” Keats, Shelley, and the Wealth of the Imagination”. Studies in Romanticism, Vol. 34, No. 3, On Keats in 1995 (Autumn, 1995), pp. 365-400Cronin, Richard. Shelley’s Poetic Thoughts. London: Macmillan, 1981. Cruttwell, Patrick. The English Sonnet. London: Longmans, Green & Co, 1966. Curran, Stuart. The Cambridge Companion to British Romanticism. 2d ed. Cambridge: The University Press, 2010. D’Avanzo, Mario L. ” Childe Rolande to the Dark Tower Came”: The Shelleyan and Shakespearean Context”. Studies in English Literature, No. 17 (Autumn, 1977), pp. 695-708Danby, John F. Shakespeare’s Doctrine of Nature: A Study of King Lear. London: Faber and Faber, 1949. Diakonova, Nina Yakovlevna. The Aesthetic Theory of English Romanticism. Moscow: Nauka, 1978. Dowden, Edward. The Life of Percy Bysshe Shelley. 7th ed. London : Routledge & Kegan Paul LTD, 1951. Duffy, Edward. ” Where Shelley Wrote and What He Wrote For: The Example of ” The Ode to the West Wind”. Studies in Romanticism, Vol. 23, No. 3, Percy Bysshe Shelley (Autumn, 1984), pp. 351-377Eagleton, Terry. William Shakespeare. Oxford : Oxford University Press, 1986. Elliott, George Roy. Dramatic Providence in Macbeth. Princeton: Princeton University Press, 1960. Epstein, Andrew. ” Flowers That Mock the Corse beneath”: Shelley’s ” Adonais”, Keats, and Poetic Influence”. Keats-Shelley Journal, Vol. 48 (1999), pp. 90-128Farnell, Gary. ” Rereading Shelley”. ELH, Vol. 60, No. 3 (Autumn, 1993), pp. 625-650Fogle, Richard Harter. ” The Imaginal Design of Shelley’s ” Ode to the West Wind”. ELH, Vol. 15, No. 3 (Sep., 1948), pp. 219-226Fraistat, Neil. ” Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance”. PMLA, Vol. 109, No. 3 (May, 1994), pp. 409-423Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. Toronto : University of Toronto Press, 1967. Gelpi, Вarbara Charlesworth. ” The Nursery Cave: Shelley and the Material “. The New Shelley: Later Twentieth-Century Views. Ed. By G. Kim Blank, London: Macmillan, 1991, pp. 42-63Godwin, Parke. ” Percy Bysshe Shelley (Dec., 1843)”. Percy Bysshe Shelley: The Critical Heritage. Ed. James E. Barcus. London: Routledge, 1975. Gold, Elise M. ” King Lear and Aesthetic Tyranny in Shelley’s The Cenci, Swellfoot the Tyrant, and The Witch of Atlas”. English Language Notes, Vol. 24, No. 1 (Sept, 1986), pp. 58-70. Hall, Jean. The Transforming Image: A Study of Shelley’s Major Poetry. Urbana: University of Illinois Press, 1980Hamlin, Cyrus. ” The Hermeneutics of Form: Reading the Romantic Ode”. Boundary 2, Vol. 7, No. 3, Revisions of the Anglo-American Tradition: Part 2 (Spring, 1979), pp. 1-30Han, Younglim. Romantic Shakespeare: from stage to page. Cranbury : Associated University Press, 2001. Harrington-Lueker, Donna. ” Imagination versus Introspection: ” The Cenci” and ” Macbeth”. Keats-Shelley Journal, Vol. 32, (1983), pp. 172-189Havens, Raymond D. ” Structure and Prosodic Pattern in Shelley’s Lyrics”. PMLA. Vol. 65, No. 6 (Dec., 1950), pp. 1076-1087Haworth, Helen E. ” Ode to the West Wind” and the Sonnet Form”. Keats-Shelley Journal, Vol. 20 (1971), pp. 71-77Hazlitt, William. The round table; Characters of Shakespeare’s plays. London: Dutton, 1951. Hoagwood, Terence. Rev. of A Moment’s Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet by Jennifer Ann Wagner, South Central Review, Vol. 15, No. 1 (Spring, 1998), pp. 57-60Hogle, Jerrold E. Shelley’s Process: Radical Transference and the Development of His Major Works. Oxford: Oxford University Press, 1988James, David Gwilym. ” Keats and King Lear”. Shakespeare Survey. Vol. 13. Cambridge : Cambridge University Press, 1960, pp. 58-68. Jost, François. ” Anatomy of an Ode: Shelley and the Sonnet Tradition”. Comparative Literature, Vol. 34, No. 3 (Summer, 1982), pp. 223-246Kiernan, Pauline. ” Death by Rhetorical Trope: Poetry Metamorphosed in Venus and Adonis and the Sonnets”. The Review of English Studies, New Series, Vol. 46, No. 184 (Nov., 1995), pp. 475-501King-Hele, Desmond. Shelley. His Thought and Work. 2d ed. London: Macmillan, 1971. Knight, George Wilson. Byron and Shakespeare. London: Routledge & Kegan P., 1966. Knight, George Wilson. The Wheel of Fire : Interpretations of Shakespearian Tragedy with Three Essays. London: Methuen, 1968. Komarova, Valentina Petrovna. Metaphors and allegories in Shakespeare’s works. Leningrad : Leningrad University Press, 1989. Komarova, Valentina Petrovna. The man and the state in Shakespeare’s history plays. 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